All posts by FeuerrotBenz

Stunningly restored color footage of Germany in 1945 right after WWII

It’s hard to imagine what the world was like during World War II. Of course, we’ve read it all in history books and and we’ve seen movies and TV shows showing what life was like, but it’s just far enough back in time and just painful and shocking enough that it’s hard to fully understand how life worked back then.

And though we’ll never fully understand how we let the events preceding the war and during it happen, here’s a glimpse of life in 1945 in a way we can maybe understand. Restored in 1080p HD and in color, this is footage showing what daily life in Berlin was like in July of 1945 after the war. The detail is incredible.

Produced by Kronos Media and featuring archival material, here’s what we’re seeing:

Pictures from the destroyed city, the Reichstag, Brandenburger Tor, Adlon, Führerbunker, Unter den Linden, rubble women working in the streets, the tram is running again.


We’ve Just Developed a Portable Cloaking Device 

If you’re a non-magical being, you might think your chances of becoming invisible are slim to nil. But don’t jump to conclusions just yet: Researchers are now claiming to have developed a portable system that can make small objects, like your keys or pet lizard, disappear from sight.

Top image: Conceptual model of an invisibility cloak in which lightwaves travel around the object, via Wikimedia

The key to real life invisibility lies in clever optical tricks that bend light around an object, shielding it from detection. In principle, such technology has only been demonstrated for very tiny objects, but now, a group of researchers from the Karlsruhe Institute of Technology say they’ve developed a scaled-up system that can be ported around and used for classroom demonstrations.

The problem researchers typically run into when they try to bend light around an object lies in compensating for the extra distance the light must travel. Since they can’t very well increase the speed of light in air, the KIT team has developed a silicon-based organic polymer (PDMS), that, doped with titanium dioxide nanoparticles, scatters light waves to slow them down. Once slowed, the light can be sped up again to make up for the longer path around the veiled object.

We've Just Developed a Portable Cloaking Device 

In a diffusive light-scattering medium, light moves on random paths. A normal object casts a shadow, an object with an invisibility cloak does not. Image Credit: R. Schittny, KIT

When the KIT researchers want to cloak an object, they place it inside a hollow metal cylinder coated with acrylic paint, which diffusely reflects light. That metal tube is then embedded inside a light-scattering PDMS block. If the time it takes light to travel through the block is just the right proportion of the time it takes light to travel through the cloak, the cloak becomes invisible. Or so the researchers say—the first actual demonstration of this technology will take place on May 13th, according to a press release.

While it’s a far cry from a cloak you can actually don—unless you fancy walking around inside a giant metal tube inside a giant block of silicon—this proof-of-concept could, one day, lead to more sophisticated materials that are wearable. In the meanwhile, a simple device that can make cellphone-sized objects disappear from sight sounds like the start of any number of excellent pranks.

Hands-on: Apple’s all-new Music app in iOS 8.4

With the release of the first developer beta of iOS 8.4 this evening, Apple gave us the first look at the oft-rumored redesign of the Music app. With the expected announcement of Apple’s streaming music service happening in June, the Music app redesign has been expected for several months now. The newly introduced Music app offers a handful of new features in the first beta of iOS 8.4, as well as a redesigned interface that’s similar to iTunes on the Mac. Let’s take a brief look…

When you first open the new Music app you’ll quickly notice that the standard tabbed interface has been changed dramatically. Along the bottom of the app are now three tabs for “My Music,” “Playlists,” and “Radio.” You can swipe left and right to navigate between the interfaces. The “My Music” interface shows your recently added music along the top, similar to the recently added section in iTunes on the Mac. Unfortunately, however, you only see the three most recent items added. The interface makes it look like you should be able to scroll horizontally to view more, but you can’t as of beta 1. Although, there is a “more” button that allows to view additional recently added content in the upper right corner.

Below the “Recently Added” section is all of your music, whether it is stored locally on your device or in the cloud. By default, the music is broken up by artist, although there is an arrow you can tap to choose to sort by artists, albums, songs, music videos, genres, composers, or complications. If you click the three dots next to a selection, you have the ability to play it next, add it to Up Next, make it available offline, and delete it. Gone is the ability to swipe left to delete a song and gone is the cloud icon that used to allow you to download a song. You now have to click the three dots to perform either of those tasks.

One of my favorite features in the iOS 8.4 Music app is the ability to manage your queue of songs. Apple has offered this in iTunes on the Mac for a while now, but never on iOS. With iOS 8.4, however, you can now choose to play a song next, or add it to your full queue. Spotify and other music apps offer features similar to this, so it’s nice to see Apple finally catching on.

Tapping on an artist from the artists page will bring you to all of the content you own by that specific musician. With a hero image at the top that fades to be the color the top menu bar as you scroll down, it’s a really pleasing interface. It can get a bit overwhelming if you have a lot of content by a single artist, but no more so than the original iOS 8 music player did.

No matter where you go in the new Music app, you’ll always see a playback bar at the bottom the interface with the ability to play or pause a song. Swiping up on the menu bar will pull up the newly designed player user interface.

The player interface itself in iOS 8.4 has been dramatically overhauled. The album artwork takes up roughly half of the interface, while the controls take up the other portion. Along the bottom of the interface are options for shuffling, repeating, viewing your queue, deleting the track, and downloading the track. The bottom portion of the interface is somewhat translucent with the shade adjusting depending on the color of the album to which you’re listening. To get out of the player interface, you can either click the down air in the upper right corner or swipe down on the album artwork.  Overall, I like the new player interface and how spread out it is compared to the original iOS 8 Music app.

Moving to the Playlists interface you’ll see another recently added section at the top for your recently modified or created playlists. Below that is a list of all your playlists with the ability to edit and delete them, as well as create new ones. The Playlists interface is somewhat bland at this point, with there being no options to sort or order them. Although it’s important to keep in mind that this is the first beta of the app, so Apple can and will adjust things as time progresses.

Finally, the Radio tab shows your recently three most recently played stations along the top. Below your recently played stations are the featured stations from Apple, with more featured stations broken down my genre visible below that. As of beta 1, there doesn’t appear to be any way to view your saved iTunes Radio stations. Instead, you rely solely on your recently played stations and search to find content other than what is featured by Apple.

The iTunes Radio interface almost feels cramped with the iOS 8.4 Music app. The album artwork for stations is so large and pushed together that it’s somewhat cluttered. Also, Apple needs to add back the ability to save iTunes Radio stations. It’s a pain to have to search every time you want to find a station to listen to. Also gone is the “info” screen that allowed you to tune stations and choose between clean and explicit versions of tracks. Again, this is a beta so things can and will change.

Overall, the Music interface Apple has previewed with the first developer beta of iOS 8.4 is promising. Its similarity to iTunes on the Mac will make it familiar to many users. There are still some areas in which Apple needs to improve it, however, and that’s to be expected with a beta. Some of the buttons are awkwardly small, while the iTunes Radio interface is cluttered and unintuitive. Nevertheless, I’m a fan of the overall design direction Apple has taken the Music app and I think, especially when coupled with a streaming music service, it will be unmatched by its rivals. More images below:

We made bank running an indie BDSM dungeon

Elizabeth Sanchez

In the latest installment of Hopes&Fears anonymous interview series, we spoke with a couple who ran a homegrown S&M operation out of their apartment. For anonymity purposes, the girlfriend will simply be known as Dominatrix and the boyfriend as Master P.

DOMINATRIX: I come from a very Catholic background. My cousin once put up photos of herself wearing a mini skirt in London and my mom assumed she was an escort. It’s like, are you serious? This is how people dress. It’s ridiculous. She’s very conservative. I still feel like in many ways I’m trapped in her past.

The squat
I got into the S&M scene before Master P. I got into it ten years ago, pretty much paying my way through college. I’d been living on my own since I was 17, and I couldn’t really hold a minimum wage job and still afford to live.

A friend and I were in Long Island City at the time, living in an illegal apartment. The landlord was absent. It was an unofficial squat but we still needed money to live. We had power and water, somehow we were on the grid, yet things weren’t official. My theory is that the people who lived there before us hooked it all up. Apparently, it was a family of vagabond gypsies. When they found out they were getting evicted, they got super spiteful and plugged up all the drains with doll heads.

One day, the place flooded really bad and we were buried in three feet of water. We realized these conditions were just too fucked up but decided to make the most of it because we couldn’t afford anything better. We decided to throw crazy parties and trash the place and to then have a slave come in and pay us to clean up after us. Then, you know, pay us for other stuff as well.

We wondered if this was possible. It turned out to be completely possible. One post on Craigslist and we were flooded with a million responses from a million guys named Mark Smith. They all used pseudonyms. Everything fell into place.

When we first started off, we didn’t have any of the equipment. We had a few corsets but we decided to make the most of what little we had. We would have them strip down completely naked and wear women’s underwear. We would have them get down on the floor and clean the entire place in a thong and take out the garbage. The neighbors eventually began watching this from their fire escape.

We made money from the parties, but not nearly as much as we were making from the dom sessions. We would charge $200 an hour. We would eventually bring it up to $300 and ask them to buy us stuff.
We quickly established rules. They weren’t allowed to make eye contact with us. They constantly had to keep their eyes to the floor. If they even looked up they would have to go to the backyard, take a twig and we would punish them.
We made bank running an indie BDSM dungeon. Изображение №2.

A dungeon versus
your apartment
After the whole squat thing, I worked at a dungeon. That was wonderful because even though you are working for someone else, you have protection. You have more at your disposal. You have all the little fantasy rooms to work with. You have a lot more control. The clientele was completely up to us and our comfort level. It’s not sketchy at all. I think it’s actually a very sterile scene to be honest. If you’re doing this in dungeons, it’s very controlled. You’re not allowed to draw blood. Full on nudity is not allowed because that would enter the realms of prostitution. When you’re doing it at home on your own, it does get crazier. I had guys who came to me with knives and wanted to get stabbed. Or they would ask me to stab them with a fucking skewer. That one was actually a professor at the college I went to. I just avoided that department from then on. I never went by the geology department or rock class after that.

MASTER P: In those situations, I would actually hang around in our bedroom and she would use the kitchen.

DOMINATRIX: And the other way around, if Master P had clients that were only into being dominated by a dude. I would just sit in the bedroom with a weapon, just in case I needed to run out. We would never be in the house alone.
Bringing in Master P
MASTER P: When we first started dating, Dominatrix had told me the stories, but it wasn’t a confessional. It was just hilarious and private. Growing up in New York City, half of my friends had worked at dungeons and related places over the years. All of the places were in Midtown. I had a friend who by the end of high school was already working at Nutcracker. She would be at my doorstep at 7 in the morning and my parents would make her coffee. She would have thousands of dollars on her and usually some Ketamine. Now she’s married with kids.

DOMINATRIX: We quickly established rules. They weren’t allowed to make eye contact with us. They constantly had to keep their eyes to the floor. If they even looked up they would have to go to the backyard, take a twig and we would punish them.

MASTER P: The most fun thing about that whole job was finding weird creative ways to hurt people. It’s a lot more fun if you improvise.

DOMINATRIX: We acted very quaint. I felt that was part of our charm, sort of like the aunt next door that abuses you.

It was easy to weed sketchy guys out through email. At first, it was the guys that sent the dick pics that immediatly raised red flags. But eventually, you learn to pick up things just from the tone of their email. The truly submissive, those who are truly into the S&M thing, will approach you with a sense of respect. And there would never be a paper trail.

MASTER P: This one guy would write me a check for $400, but he’d write the check out to “Cash.”

DOMINATRIX: I would have them all pay up front. We wouldn’t call it a payment though, we would call it a donation to the goddesses or a tribute.

DOMINATRIX: A lot of these guys are just really lonely and this was sort of a way of making a connection. We wouldn’t hear from some of them for months after a session but would later get a message asking, “Maybe we can meet up for coffee or sometime?” It’s clearly coming out of loneliness.

MASTER P: We never had a woman.

DOMINATRIX: We almost did once, but I don’t think she was willing to pay. There were a lot of hasidic men.

MASTER P: Nearly half of our clients were hasidic. Contractors.


MASTER P: We would advertise for ATM slaves which would mean literally their job was to go with us to an ATM and take all your money out. Those people exist. It’s like, if you find that unicorn, you ride that unicorn. We found people that had a lot of money. They literally got us through school.

DOMINATRIX: Master P was especially good at getting people to buy us stuff.

MASTER P: I decided I wanted some nice electronics. He was a middle aged social worker. The subject matter was heavy for him, so the S&M was a way to get out of it. I’ve never been really about tech but I told him to get me a Blackberry, an iPod touch, and a Macbook. The guy showed up two days later at my door with all three. The only thing this guy wanted to do was massage my feet and talk about literature. It wasn’t bad at all. I would smoke a joint and maybe listen to NPR.

Eventually, we actually had to cut him off because I felt like he was falling in love with me. I think a lot of people have their own sort of Pretty Woman fantasy.
We made bank running an indie BDSM dungeon. Изображение №4.
DOMINATRIX: I had this one guy who pretty much paid me to break his leg. I couldn’t do it. It’s really difficult to shatter a leg with a mallet. He was a high end lawyer so I went to his condo with a mallet in my bag. His whole thing was to get put in a cast. That was what he got off on. I never ended up shattering his leg. I was going into a frenzy trying to shatter a fucking bone. After an hour, it just ended up being super bruised and swollen, but he casted himself up anyway because that was kind of the whole point.

DOMINATRIX: We did have this one dude that wanted to take it to this crazy psychological realm where he wanted us to dress all in black, like nuns.

MASTER P: He also wanted one of us in a military hat.

DOMINATRIX: A lot of them would tell me stories about their fucked up childhoods. This one dude was into being kidnapped. So he would come over as a delivery boy with lunch or whatever. We would take the lunch from him, trip him, kidnap him, tie him up. It got weird once they decided to share their lives with us, why he thinks he’s into this. This guy said friends would kidnap him as a child and dress him in women’s clothing and parade him around the neighborhood.

MASTER P: We’d hear a lot of fucked up stuff.

DOMINATRIX: In their personal or professional lives, a lot of these men are very dominant because a lot of them happen to be very wealthy. Since they are in positions of power, the S&M may be a balancing act for them. They need to exercise both sides, that’s important especially when you have the money.

There are a lot of people that are into the controlling parent situation, especially that one guy who was really into the whole military uniform thing. He was into one of us tormenting him while the other comforted him and told him that everything’s okay. It gets into this weird sort of very classic Eastern European childhood scenario. One parent torments you while the other one tells you you’re not allowed to go anywhere because everything will be fine. There’s an afterlife, there’s no need to flee.

These sessions would usually last from 45 minutes to a couple of hours. The guy who was into getting kidnapped, I would tie him up and leave him in the bathroom for hours. You know, go outside, come back, live my life, do my homework.

MASTER P: If they are doing your laundry, it’s gonna be three hours. They would do the dishes, clean our tiles with a toothbrush. A lot of things would get cleaned with toothbrushes. But here’s the thing; a lot of these guys would do a shitty job cleaning because they want to be punished. So you really need to make sure they actually clean things properly, otherwise you have to clean after them. So you would get people who would literally leave a glass dirty while they’re doing dishes so you punish them. If I was going to be doing something for three hours, for an hour I’d put them on their hands and knees and use them as a footstool. If I needed to ash my cigarette, I’d have them put out their hand for me.

DOMINATRIX: We used to have poker nights where we would have a few slaves come over and serve us as foot stools, or pour us glasses of wine.

MASTER P: We would play violin music. You either have really powerful gay men or a lot of sad sacks. I think you had more high power people.

DOMINATRIX: No, I definitely had a nice sampling of both.

MASTER P: When you work for tips, you’re smiling at people you can’t stand. So I feel like in these kinds of situations when you’re playing a part that this person’s paying you for, they are definitely attracted to you if you’re doing a good job. You’re giving them something that no one else is, so you become very special. I found that once people start pathologizing themselves to you, they’ll never turn back. The second they try to explain themselves to you, that says that they’ve gotten to a point where they actually see you as a person who they need to justify themselves to, and the whole power dynamic is gone.

DOMINATRIX: Or they take a break for a year or two and then text you out of the blue at 2 in the morning.

MASTER P: I got a Facebook friend request from one guy a year ago. He must have searched my phone number or something. I don’t even remember him as a client.
We would advertise for ATM slaves which would mean literally their job was to go with us to an ATM and take all your money out. Those people exist. It’s like, if you find that unicorn, you ride that unicorn.

We made bank running an indie BDSM dungeon. Изображение №5.

The Hungarian
MASTER P: I had one guy who bruised his hip in our shower. He had a weird Hungarian accent. He was 70 years old, a bachelor, and every night he was into some kind of weird sex thing. When he came to our place, neither of us liked him. The next day, he sent me an email saying how he bruised his hip in our shower.

DOMINATRIX: I just didn’t know what to make of it. Are you trying to file a lawsuit or something?

MASTER P: I responded that it’s not our responsibility. He’s like, “You know the reason I’m writing is that when I went to the doctor to get it looked at, he told me it turns out that I have high cholesterol, so thank you very much.”

MASTER P: What was this man doing in my shower? I was peeing on him. It’s the easiest thing in the world, especially if you have a caffeinated existence. You don’t need to buy any equipment. You just need to shower, which most of us have. You don’t do it outside of the shower. That was a huge part of my repertoire.

DOMINATRIX: And you were really one of the few people to do it. That’s a line that a lot of people won’t cross.

London banker
MASTER P: I had this guy. He was British, a proper London banker type. He was really into shoes. He sends me an email he’s like, “First thing, listen, I know we will be able to work together if you open the door and immediately kick me in the balls.” Like, if before I’m even in your apartment, you kick me in the balls as hard as you can. And I’m like “okay.” So he gets there, opens the door, and I swiftly kick him in the balls. He says “thank you,” and comes inside and immediately assumes a force stance. I kick him in the balls for a good 30 minutes and I take him to the bathroom, tell him to strip and lie down in the shower, and I direct the cold water directly onto the balls where I had been kicking him. Then he says, “Please sir, please sir, where are your shoes?” So I take off one of my shoes and put it on his mouth and leave. When I come back five minutes later he hasn’t even moved. He asks, “Can you kick me some more?” So I kicked him for another five minutes and then I went, “I’m bored, pay me.” So he gets his wallet, pays me, assumes the position, I kick him again and he goes back to London. He took a lot of abuse in a very short amount of time. I mean, I could’ve caused him permanent damage, you know? That was towards the end, that was when I got good at that stuff. I knew what I was doing, and that kind of freaked me out, that level of sadism. I used to be a hippie, I’m not trying to be that sadistic. The cold water, I mean, I pretty much sat and smoked a cigarette.
You’re giving them something that no one else is, so you become very special. I found that once people start pathologizing themselves to you, they’ll never turn back.

Velvet Cigars
MASTER P: You know Velvet Cigars on Christopher Street? The proprietor of that place was legendary to everyone who went high school in the city. You would go there and whip your dick out and get two packs of cigarettes. We had a friend who was kind of like his casting agent, and he would just go around and be like, “Hey, if you need cigarettes, money, come to Velvet Cigars.” Also, he would give you $300 for a hug, it was pretty great. It was a gyrating hug.

We were all sitting around reading Tim Carroll’s memoirs and we were making money that way. I remember there was still one guy in the Village who walked up to me and a friend of mine—we were 14—and offered us $100 each to spit in his mouth. It just happens, you know?

I used to know a lot of crusty kids who were always selling themselves to somebody in some way. There’s a cool kind of industry. Our friend used to mail his socks to this one guy in Indiana. My friend was into the train hopping thing, and wherever he was in the country he would just mail the socks he had been wearing for a couple months to this guy and would request a couple hundred bucks.

DOMINATRIX: I stopped after a guy wanted to be comforted after the beatings. I was not willing to hug him. Hugs are for certain types of people. It wasn’t even the fact that he wanted a hug, but, it was when he tried to reason with us. When we first said “no,” his reaction was like, “Maybe we can all sit down and talk about this, maybe we can talk about why we’re uncomfortable in the first place, I feel like that’s a very interesting path for us to go down.” And I was like “Yeah, I don’t think so, this is just to make money not for, like, delving into our souls.”

MASTER P: It can be fun but sometimes it’s just pathetic. You’re dealing with all these really sad people. Eventually, I found another job that just seemed like less trouble.

We made bank running an indie BDSM dungeon. Изображение №6.

The Payoff
It paid for a great vacation to Jamaica. We also developed a really bad cocaine habit because of how much money we were making, but eventually that got sorted out.

Most of the people who work in the professional realm have PhDs and stuff. I met a woman who works as a dominatrix who has her PhD in Women’s Studies. She has no problem saying, “I’m a dominatrix.”

You can either sell drugs and risk your livelihood or you could do this. There’s only a few things you could do for that much money while you’re still in school. It basically enabled me to do internships that I would never have been able to do otherwise. No one was giving me any subsidies. But with S&M, I got to do awesome internships with amazing organizations.

DOMINATRIX: It allowed me to paint and put together a few art shows. Imagine working an eight to nine hour day at a diner making $50 a day six days a week and not having time for anything for anything else.

Art is in many ways a luxury, especially the practice of it. You can’t do it if you’re starving. I don’t believe in starving artists. Part of being an artist is finding a way to feed yourself to survive, so that you’re not constantly seeking the basics.

DOMINATRIX: It was fun, and I just love that we got to go to Jamaica for two weeks and fuck around, smoking weed and renting jet skis.

MASTER P: What we did was very successful. What made me stop was that it was almost kind of getting too successful. Everybody knew my name. Strangers were calling me.

DOMINATRIX: I’ve suppressed a lot of these memories but not even out of shame or anything, just to move on with life. It can be a huge distraction like, “Why don’t I just keep doing this,” but yeah, it definitely helped me through my apprenticeship. Sometimes, I think about doing it occasionally or something, you know Airbnb-ing our apartment and renting a hotel for a couple of days. Or renting a cabin in the adirondacks and making it its own dungeon.
I couldn’t do it. It’s really difficult to shatter a leg with a mallet.

Impossible Rube Goldberg machine cleverly breaks the concept of reality


Impossible Rube Goldberg machine cleverly breaks the concept of reality

When you live in the carefully edited Vine world of magic and wizardry and spells and sorcery, you can make anything happen. Zach King is the master of flipping the construct of reality on its head and transforming things into something entirely different. Take this Rube Goldberg machine that starts out normally and then gets weird right before your eyes.

Easter eggs become hopping toy chicks, Red Bull becomes connect four pieces, Rubik’s cubes can break down into individual pieces and more. If you blink anytime during the video of King’s fanciful Rube Goldberg machine below, you’ll miss all the fun.

This Man is a Vine Wizard

This Vine compilation video of magic tricks and sorcery is so much fun

Zach King, the magic wizard of Vine. He’ll snatch cats out of computer screens, turn Rubik’s Cubes into candy, fly through beds and doors, jump out of his clothes, magically change colors of any object and more. It’s the most entertaining use of the 6 second medium because it’s just short enough to make me feel like magic can be real.

The time limitation is perfect because King quickly sets up and executes a simple trick on you and then moves onto a completely different one before you can question what just happened. It’s mindless fun.

This Vine compilation video of magic tricks and sorcery is so much fun

This Vine compilation video of magic tricks and sorcery is so much fun

Here’s the same picture taken with every iPhone that has existed

Here's the same picture taken with every iPhone that has existed

Though the new iPhone is called the iPhone 6, we’re actually on the 8th generation of iPhone that has existed. But who cares about that. Let’s just see how much the camera—maybe the most important feature on the iPhone after messaging—has improved over those 8 generations. Hint: a lot.

Lisa Bettany compared the new iPhone 6 camera to those of the iPhone 5S, iPhone 5, iPhone 4S, iPhone 4, iPhone 3GS, iPhone 3G and original iPhone by taking the same shot on each. The particular shot above shows the camera’s performance when backlit. You can definitely see the difference when you zoom up close.

Here’s a portrait comparison:

Here's the same picture taken with every iPhone that has existed

And a very impressive lowlight:

Here's the same picture taken with every iPhone that has existed

You can see the comparison in much more detail here. In short: it gets better. Duh. But it’s impressive to see by how much. Things might look good from afar on all of them but the cameras of the early iPhones were pathetic shooters. Things that used to be unusable can actually be considered stunning now and what worked in perfect conditions, works even better now.

Watch the guts of a DSLR camera in action at 10,000 frames per second

Watch the guts of a DSLR camera in action at 10,000 frames per second

The Slow Mo Guys got a 10,000-fps high resolution camera and pointed it into the guts of a DSLR camera shooting photos at 1/8000th of a second. It’s amazing to see how much vibration there is when the mirror and diaphragm move.

SPLOID is delicious brain candy. Follow us on Facebook or Twitter.

There Are No Blindspots With This Real-Time 3D View Of Your Car

There are already countless vehicles that use multiple tiny cameras to give the driver an overhead view of what objects or obstacles are around their car while parking. But SPTek has developed a system that’s able to show a driver what’s around their vehicle while on the road, completely eliminating the blindspot that’s responsible for so many accidents.

The 3D-AVMS system uses four 190-degree wide-angle lens cameras hidden on the sides, front, and back of a vehicle. Those cameras feed 100 megapixels worth of digital imagery to an on-board computer that generates a real-time omnidirectional view around a 3D representation of the car. So drivers are not only not limited to just an overhead view of what’s around their vehicle, they can see what’s going on in all directions and from almost any angle.

The 3D-AVMS system has already been installed on a tour bus, notoriously difficult to navigate in crowded downtown areas of a city. But SPTek plans to fully commercialize the technology beginning in August of this year which means it just might show up as an option when it’s time to get a new car in a couple of years. [SPTek via Nikkei Technology]

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